From your #1 New York Times bestselling writer of THE BEST Short, Liar’s Poker as well as the Blind Side!

The tsunami of cheap credit that rolled across the planet between 2002 and 2008 was more than a simple financial phenomenon: it had been temptation, offering entire societies the opportunity to reveal aspects of their characters they cannot normally afford to indulge.

The Greeks wanted to turn their country into a piñata stuffed with cash and allow as much citizens as you possibly can to take a whack at it. The about Boomerang: Moves in the brand new UNDER-DEVELOPED Germans wished to be even more German; the Irish wanted to prevent being Irish.

The trademark of Michael Lewis’s bestsellers is to tell a significant and complex story through characters so outsized and outrageously weird that you’d think they have to be invented. (You’d end up being incorrect.) In Boomerang, we meet up with a brilliant monk that has figured out how to video game Greek capitalism to save his declining monastery; a cod fisherman who, with three times’ training, becomes a currency investor for an Icelandic lender; and an Irish real estate developer therefore outraged with the collapse of his business that he drives in the united states to assault the Irish Parliament with his earth-moving equipment.

Lewis’s investigation of bubbles beyond our shores is indeed brilliantly, unfortunately hilarious it network marketing leads the American listener to an appropriate complacency: Oh, those foolish foreigners. But when Lewis turns a merciless eyes on California and Washington DC, we discover that this narrative is definitely a trap baited with humor, and we understand the reckoning that awaits the best and greediest of debtor countries.

“No one writes with an increase of narrative panache about cash and fund than Lewis.”

-Michiko Kakutani, New York Times