Journalist Rebecca Traister’s New York Instances bestselling exploration of the transformative power of woman anger and its own ability to transcend right into a political motion is “a hopeful, maddening compendium of righteous feminine anger, and the good it can do when wielded efficiently—and collectively” (Vanity Fair).

Long before Pantsuit Nation, before the Women’s March, and before the #MeToo motion, women’s anger was not only politically catalytic—but politically problematic. The story of female about Great and Mad: The Revolutionary Power of Women’s Anger fury and its own cultural significance demonstrates its crucial part in women’s gradual rise to political power in America, aswell as the techniques anger is usually received as it pertains from women as opposed to when it comes from men.

“Urgent, enlightened…realistic and compelling…Traister eloquently highlights the task of blaming not just pushes and systems, but individuals” (The Washington Post). In Good and Mad, Traister songs the history of female anger as political fuel—from suffragettes marching on the Light House to workers in offices vacating their buildings after Clarence Thomas was confirmed to the Supreme Courtroom. Traister explores ladies’s anger at both males and other ladies; anger between ideological allies and foes; the assorted ways anger can be received predicated on who’s expressing it; and just how women’s collective fury is becoming transformative political fuel. She deconstructs culture’s (as well as the press’s) condemnation of female emotion (specifically rage) and the influence of their resulting repercussions.

Highlighting a twin standard perpetuated against women by all sexes, and its disastrous, stultifying effect, Good and Mad is usually “perfectly timed and uplifting” (People, Book from the Week). This “admirably rousing narrative” (The Atlantic) offers a glimpse into the galvanizing pressure of ladies’s collective anger, which, when harnessed, can change history.