Detective agency Cork O’Connor finds himself caught in the middle of a racial gang war that’s turning picturesque Tamarack County, Minnesota, into a battlefield. When the daughter of a robust businessman dies due to her meth obsession, her dad, strong-willed and brutal Buck Reinhardt, vows revenge. His target is the Red Boyz, a gang of Ojibwe youths accused of supplying the girl’s fatal medication dose. When the top of the Red Boyz and his wife are murdered in a way that suggests about Red Blade execution, the Ojibwe gang mobilizes, and the residents of Tamarack Region brace themselves for battle, white against crimson. Both sides look to Cork O’Connor, a guy of mixed heritage, to uncover the reality behind the murders. A former sheriff, Cork provides lived, fought, and nearly died to keep the small-town streets and his family members safe from damage. He understands that violence is normally hardly ever a virtue, but he is convinced that it’s occasionally a required response to the evil that men do. Racing to find answers before the bloodshed spreads, Cork himself becomes involved in the darkest of deeds. As the unspeakable unfolds in the remote control and gorgeous place he calls home, Cork is definitely pressured to confront the horrific truth: assault is usually a beast that cannot be included. In Crimson Knife, Krueger gives his visitors a vivid picture of racial issue in small-town America, as well as a sensitive look at the secrets we avoid actually those closest to us and the destructive nature of most that is still left unsaid between fathers and sons, husbands and wives, friends and lovers.