In The Devil in the White City, the smoke, romance, and mystery of the Gilded Age stand out as nothing you’ve seen prior.

Two men, each handsome and unusually adept at his chosen work, embodied a component of the fantastic dynamic that characterized America’s hurry toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s excellent director of works and the builder of many of the country’s most important structures, like the Flatiron Building in NY and Union about The Devil in the White colored Town: Murder, Magic, and Madness on the Fair That Changed America Place in Washington, D.C. The murderer was Henry H. Holmes, a doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west from the fairgrounds-a torture palace complete with dissection desk, gas chamber, and 3,000-degree crematorium.

Burnham overcame tremendous obstructions and tragedies as he organized the talents of Frederick Laws Olmsted, Charles McKim, Louis Sullivan, yet others to transform swampy Jackson Recreation area into the Light City, while Holmes used the attraction of the fantastic fair and his own satanic charms to lure scores of young females to their deaths. What makes the storyplot all the more chilling is definitely that Holmes actually lived, walking the lands of that dream city from the lake.

The Devil in the White City draws the reader right into a period of magic and majesty, made even more appealing by a supporting cast of real-life people, including Buffalo Expenses, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, yet others. Erik Larson’s presents being a storyteller are magnificently shown in this wealthy narrative of the grasp constructor, the killer, and the great fair that obsessed them both.

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